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Catch the Fire Again Volume 1 Songs Lirycs

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1973 studio album by Bob Marley & The Wailers

Take hold of a Fire
BobMarleyCatchAFire.jpg

The original 1973 'Goose egg lighter' hinged album sleeve
Studio album by

Bob Marley and the Wailers
Released 13 April 1973
Recorded May–October 1972
Studio
  • Dynamic Audio (Kingston)
  • Harry J. (Kingston)
  • Randy's (Kingston)
  • Isle (London)
Genre Reggae[1]
Length 35:56
Label Tuff Gong, Island
Producer Bob Marley, Chris Blackwell
Bob Marley and the Wailers chronology
The Best of the Wailers
(1971) 		Catch a Burn
(1973) 		African Herbsman
(1973)
Culling comprehend
The sleeve art from the 1974 issue of the album

The sleeve art from the 1974 issue of the album

Catch a Fire is the fifth studio album by the reggae band Bob Marley and the Wailers, released in April 1973. It was their commencement album released by Island Records.[2] After finishing a tour in the United Kingdom with Johnny Nash, the ring did non have enough coin to return to Jamaica; they approached producer Chris Blackwell, who agreed to advance the Wailers money for an album and paid their fares dorsum home, where they recorded Grab a Fire. The album has nine songs, two of which were written and composed by Peter Tosh, the remaining vii were by Bob Marley. After Marley returned with the tapes to London, Blackwell reworked the tracks at Island Studios with contributions by Muscle Shoals session musician Wayne Perkins, who played guitar on three overdubbed tracks. The anthology had a limited original release under the name The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner; subsequent releases had an alternative cover designed by John Bonis featuring an Esther Anderson portrait of Marley smoking a "spliff", and used the name Bob Marley and the Wailers.

The Catch a Fire Tour, which covered England and the United States, helped generate international involvement in the band. Take hold of a Fire peaked at number 171 on the Billboard 200 and number 51 on the Billboard Black Albums charts. Critical acclamation has included the album beingness listed at number 126 on Rolling Stone'southward 500 Greatest Albums of All Time, 2d only to Fable among five Bob Marley albums on the listing. It is regarded as one of the top reggae albums of all fourth dimension.

Groundwork [edit]

Bob Marley moved to Sweden to work with Johnny Nash, writing and composing songs for the soundtrack to the pic Want So Much To Believe. [iii] From November to December 1971, Marley and the Wailers toured Smashing United kingdom with Nash. Columbia Records (CBS) released a unmarried past the Wailers (the Nash-produced "Reggae on Broadway").[iii] [4] Later the tour, Marley and the band did not take funds to render to Jamaica, nor could they earn money due to work-permit restrictions.[five] The band asked their London route manager, Brent Clarke, to put them in contact with Chris Blackwell from Isle Records, who had released singles by the Wailers in United kingdom of great britain and northern ireland. Blackwell gave Marley an advance (of either £4000 or £8000 depending on source)[6] [7] to aid them get home to Jamaica, and to record their next album.[vii] [half dozen]

Recording [edit]

The album was recorded in Jamaica on eight-track tape by engineer Sylvan Morris in 1972 at three different studios in Kingston: Dynamic Sound, Harry J'southward, and Randy's.[8] [9] [x] According to Aston Barrett, "some of the songs had been recorded before ... in dissimilar studios and with different musicians, but we gave them that strict timing and brought the feeling out of them more." "Infant We've Got a Appointment (Stone it Babe)" is similar to "Black Bitter", recorded in an earlier session.[9] The musicians consisted of Marley on vocals and audio-visual guitar, Peter Tosh on vocals, guitar and keyboards, Bunny Wailer on bankroll vocals and bongos, Aston "Family Homo" Barrett on bass, and Carlton Barrett on drums.[11] In add-on, Robbie Shakespeare played the bass on "Concrete Jungle", Tyrone Downie played organ on "Concrete Jungle" and "Stir it Upwards", Winston Wright played organ on all other tracks, and Alvin "Seeco" Patterson played akete drums on several tracks.[11] The female backing singing was performed by Rita Marley and her friend Marcia Griffiths.[12] Tommy McCook played the flute.[9]

In the wintertime of 1972, Marley flew back to London to nowadays the main tapes to Chris Blackwell. CBS and Sims, with whom the band were already contracted, took Blackwell and the Island Records label to court over the recording. Isle won the case, and received US$nine,000 and two percent of royalties from the band's first six albums, while Sims received GB£five,000 and the publishing rights to the Wailers songs.[5] [12] Blackwell remixed the tracks at the Isle Studios on Basing Street, and included overdubs. Muscle Shoals session guitarist Wayne Perkins, who at that time was recording a new Smith, Perkins & Smith album at the Island studio, recorded a guitar solo overdub for "Concrete Jungle", including the 3-octave feedback at the end, slide guitar on "Baby Nosotros've Got a Date (Rock Information technology Baby)",[13] and the wah-wah-laced lead on "Stir it Upward".

The vocal's lyrics deal with political injustice towards blacks and poverty, equally is the case in many of their albums. Take hold of a Burn is about "the current state of urban poverty," and "Slave Driver" "connects the present to by injustices." Only politics are not the main theme; "Stir information technology Up", for instance, is a beloved song.[1] "Stir information technology Up", along with other Marley songs, was later covered past Johnny Nash on the I Can Encounter Conspicuously At present album, peaking at number eleven on the Billboard Hot 100 nautical chart.[iv]

Encompass art [edit]

The original 1973 vinyl release, designed by graphic artists Rod Dyer and Bob Weiner, was encased in a sleeve depicting a Zippo lighter.[fourteen] The sleeve functioned like a real Zippo lighter case, opening at a side swivel to reveal the record within.[fifteen] Only the original pressing of xx,000 had the Zilch encompass;[sixteen] because each cover had to exist manus-riveted, which was not cost-constructive,[17] subsequent pressings had an culling cover designed past John Bonis featuring an Esther Anderson portrait of Marley smoking a "spliff" or articulation, with the anthology now credited to "Bob Marley and the Wailers."[xviii] [nineteen] Presently after the anthology'southward release, Jamaican police raided Anderson'south business firm and seized the cover photo and film, which were never returned.[20] Copies of the record from the original pressings take since become collector's items.[21] The original cover art was reproduced in 2001 for the deluxe compact disc edition.

Release [edit]

The get-go release from the album sessions was the "Baby Nosotros've Got a Date" single, released in early 1973 on Isle'due south Bluish Mountain subsidiary.[5] Catch a Fire was released on 13 April 1973 on the Island characterization with a supporting tour. The anthology sold around 14,000 copies in its commencement weeks,[22] and peaked at number 171 on the Billboard 200 chart and at number 51 on Billboard R&B nautical chart.[23]

Catch a Fire has been re-released under different recording labels with different rail lengths. In 2001, a special drove edition was released containing unreleased, non-overdubbed ("Jamaican") songs on the first side and the original, overdubbed anthology on the 2d side.[24] Mobile Fidelity Sound Lab released an Ultradisc Two version in 1995.

A documentary about the album, directed past Jeremy Marre, was released in 2000, featuring interviews with the musicians and engineers who worked on the album, archive performance footage, and home video footage filmed past members of the band.[25]

Tour [edit]

The album'due south supporting tour began in 1973 in the United Kingdom, and so moved to the The states. In England they performed nineteen shows at universities and clubs. While in London, the ring performed on the BBC shows The Sometime Grey Whistle Test and Top Gear. In the outset performance, singer Bunny Livingston performed for the last time for the Wailers, as he was unhappy touring outside Jamaica, a contributing factor beingness the difficulty in finding food suitable to his strict Ital nutrition.[26] After Bunny's resignation from the ring, Tosh consulted with Marley and finally picked Joe Higgs equally a replacement.[27] Blackwell hired the concert promoter Lee Jaffe to book gigs in North America. The Wailers performed at Paul'southward Mall in Boston, and so three gigs in New York City aslope Bruce Springsteen'southward E Street Band, and in October opened for Sly and the Family unit Stone in Las Vegas. These concerts marked an important step towards international acknowledgement.[28] [27]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [1]
Christgau's Record Guide A[29]
Encyclopedia of Popular Music [30]
MusicHound Rock [30]
The Rolling Stone Album Guide [31]

Grab a Fire had a positive critical reception. Village Voice critic Robert Christgau said "one-half these songs are worthy of St. John the Divine", and "Barrett brothers' bass and drums save those that aren't from limbo".[29] Reviewers from Rolling Rock besides praised the brothers' playing, concluding that "Catch a Burn down is a blazing debut". Co-ordinate to the review, "'Concrete Jungle' and 'Slave Commuter' crepitation with streetwise immediacy, while 'Kinky Reggae' and 'Stir It Up' ... revel in the music's vast capacity for good-time skanking. 'Finish That Railroad train' and '400 Years,' both written by Peter Tosh, indicate the original Wailers weren't strictly a 1-man show".[31]

Critics have called Catch a Fire one of the greatest reggae albums of all time. Vik Iyengar from AllMusic comments that "Marley would proceed to achieve bully critical and commercial success during the 1970s, but Catch a Fire is one of the finest reggae albums ever. This album is essential for any music collection".[ane] Rolling Stone ranked the album at number 123 on its list of 500 Greatest Albums of All Fourth dimension, moving to 126 in a 2012 revised list,[32] the 2d highest placement for a reggae album; only Legend, ranked higher at number 46.[33] Information technology was after ranked at number 140 in the 2020 reboot of the list.[34] Writing in The Spectator arts blog in 2012, David Rodigan described information technology every bit "quite simply, one of the greatest reggae albums always made".[35] The album was voted number 285 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[36]

Rail list [edit]

All songs were written by Bob Marley, except where noted.

Side i
No. Title Writer(southward) Length
1. "Concrete Jungle" 4:13
2. "Slave Commuter" 2:53
3. "400 Years" Peter Tosh ii:45
4. "Stop That Train" Peter Tosh 3:54
5. "Babe We've Got a Date (Rock It Babe)" 3:55
Side two
No. Title Length
half-dozen. "Stir It Up" 5:33
vii. "Kinky Reggae" 3:37
8. "No More Trouble" three:58
9. "Midnight Ravers" five:08
The Definitive Remastered edition (2001)
bonus tracks
No. Championship Length
x. "Loftier Tide or Low Tide" iv:44
11. "All Day All Night" 3:29
Deluxe edition (2001)
Disc one: The Unreleased Original Jamaican Versions
No. Title Writer(s) Length
1. "Concrete Jungle" iv:11
2. "Stir It Up" iii:37
iii. "High Tide or Low Tide" iv:40
4. "Terminate That Train" Tosh 3:52
5. "400 Years" Tosh 2:57
six. "Baby We've Got a Engagement (Rock It Infant)" 4:00
7. "Midnight Ravers" v:05
8. "All Mean solar day All Nighttime" iii:26
9. "Slave Driver" 2:52
10. "Kinky Reggae" 3:40
11. "No More Trouble" 5:13
Disc two: The Released Anthology
No. Title Author(southward) Length
1. "Concrete Jungle" 4:13
2. "Slave Driver" 2:54
3. "400 Years" Tosh 2:45
4. "Cease That Train" Tosh 3:54
five. "Infant We've Got a Appointment (Stone It Baby)" three:55
six. "Stir Information technology Upward" v:32
vii. "Kinky Reggae" three:37
8. "No More than Trouble" 3:58
ix. "Midnight Ravers" five:08

Personnel [edit]

References [edit]

  1. ^ a b c d Vik Iyengar. "Grab a Burn down – Bob Marley & the Wailers". AllMusic. Rovi Corporation. Retrieved 18 April 2012.
  2. ^ Kevin O'Brien Chang, Wayne Chen (1998). Reggae Routes: The Story of Jamaican Music. Temple Academy Printing. p. 49. ISBN9781566396295 . Retrieved 17 May 2012.
  3. ^ a b Dave Thompson (2002). Reggae & Caribbean Music. Backbeat Books. p. 163. ISBN0-87930-655-6.
  4. ^ a b Timothy White (2 May 2006). Catch a Fire: The Life of Bob Marley. Henry Holt. p. 213. ISBN9780805080865.
  5. ^ a b c Dave Thompson (2002). Reggae & Caribbean Music. Backbeat Books. p. 164. ISBN0-87930-655-6.
  6. ^ a b Howard Campbell (22 March 2011). "Bunny Wailer sets the record straight". jamaica-gleaner.com/.
  7. ^ a b David Moskowitz (2007). The Words and Music of Bob Marley. Greenwood Publishing Group. pp. 28–29. ISBN9780275989354.
  8. ^ a b c d eastward f one thousand h i j k l Jim Irvin (2007). The MOJO Collection: The Ultimate Music Companion. Canongate Books Ltd. p. 307. ISBN978-1841959733.
  9. ^ a b c d John Masouri (ane September 2010). "Chapter Twelve: Catch A Fire". Wailing Dejection: The Story of Bob Marley's Wailers. Music Sales Group. ISBN9781847727060 . Retrieved 17 May 2012.
  10. ^ David Moskowitz (2007). The Words and Music of Bob Marley. Greenwood Publishing Group. p. 29. ISBN9780275989354.
  11. ^ a b David Vlado Moskowitz (2007). The Words and Music of Bob Marley. Greenwood Publishing Group. p. 29. ISBN978-0-275-98935-four.
  12. ^ a b Timothy White (ii May 2006). Take hold of a Burn: The Life of Bob Marley. Henry Holt. p. 214. ISBN9780805080865.
  13. ^ "Take hold of A Fire – Classic Albums [DVD] [2001]: Amazon.co.uk: Bob Marley: DVD & Blu-ray". Amazon.co.uk . Retrieved 20 July 2017.
  14. ^ David Moskowitz (2007). The Words and Music of Bob Marley. Greenwood Publishing Group. p. 31. ISBN9780275989354.
  15. ^ Barry Miley; Grant Scott; Johnny Morgan (2008). The Greatest Anthology Covers of All Time. Anova Books. p. 126. ISBN978-1843404811.
  16. ^ David Vlado Moskowitz (August 2007). Bob Marley: A Biography. Greenwood Publishing Group. p. 21. ISBN978-0313338793.
  17. ^ "Catch A Fire, The Wailers". superseventies.com.
  18. ^ Christopher Farley (2007). Before the Legend: The Rising of Bob Marley. Harper Collins. p. 200. ISBN978-0060539924.
  19. ^ Chris Morrow (1999). Stir It Upwardly: Reggae Album Cover Art. Relate Books. p. 61. ISBN0-8118-2616-3.
  20. ^ Opolot, Ian (9 March 2022). "'Bob Marley turned upwards in a bad mood' – Esther Anderson's best photo". the Guardian . Retrieved x March 2022.
  21. ^ Nicholas de Ville (2003). Album: Manner and Epitome in Sleeve Design. Mitchell Beazley. pp. 130–131. ISBN978-1-84000-605-6.
  22. ^ Timothy White (2 May 2006). Catch a Fire: The Life of Bob Marley. Henry Holt. p. 216. ISBN9780805080865.
  23. ^ "Take hold of a Fire – Bob Marley & the Wailers:Charts and Awards". AllMusic. Rovi Corporation. Retrieved 26 Apr 2012.
  24. ^ "Catch A Burn down (Deluxe Edition) – Amazon". Amazon.com, Inc. Retrieved 23 June 2012.
  25. ^ Bradley Bamberger (19 August 2000). On DVD. Billboard. p. 22.
  26. ^ Dave Thompson (2002). Reggae & Caribbean Music. Backbeat Books. p. 165. ISBN0-87930-655-half dozen.
  27. ^ a b David Vlado Moskowitz (Baronial 2007). Bob Marley: A Biography. Greenwood Publishing Group. pp. xx–22. ISBN978-0313338793.
  28. ^ Timothy White (2 May 2006). Take hold of a Fire: The Life of Bob Marley. Henry Holt. p. 222. ISBN9780805080865.
  29. ^ a b Robert Christgau (1981). "Consumer Guide '70s: Due west". Christgau'south Record Guide: Stone Albums of the Seventies. Ticknor & Fields. ISBN089919026X . Retrieved 21 March 2019 – via robertchristgau.com.
  30. ^ a b "Creative person Lists – Marley, Bob and The Wailers – Catch a Fire". Acclaimedmusic. Retrieved 21 July 2012.
  31. ^ a b "Bob Marley – Album Guide". Rolling Stone. Wenner Media. Retrieved xviii Apr 2012.
  32. ^ "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Retrieved 18 September 2019.
  33. ^ "The Greatest Albums – Catch a Burn down". Rolling Stone. Wenner Media. Archived from the original on three Nov 2011. Retrieved 18 Apr 2012.
  34. ^ Rolling Stone (22 September 2020). "The 500 Greatest Albums of All Fourth dimension". Rolling Stone . Retrieved 25 September 2021.
  35. ^ Dave Rodigan (22 Apr 2012). "Spotify Lord's day: The essential Bob Marley". The Spectator Arts and Civilization Blog. Archived from the original on 5 May 2012. Retrieved 19 May 2012.
  36. ^ Colin Larkin, ed. (2006). All Fourth dimension Top 1000 Albums (3rd ed.). Virgin Books. p. 122. ISBN0-7535-0493-six.
Sources
  • Farley, Christopher (2007), Before the Legend: The Ascent of Bob Marley, Harper Collins, ISBN 978-0060539924
  • Irvin, Jim (2007), The MOJO Collection: The Ultimate Music Companion, Canongate Books Ltd, ISBN 978-1841959733
  • Miley, Barry et al. (2008), The Greatest Album Covers of All Time, Anova Books, ISBN 978-1843404811
  • Moskowitz, David Vlado (February 2007), The Words and Music of Bob Marley, Greenwood Publishing Group, ISBN 978-0275989354
  • Moskowitz, David Vlado (August 2007), Bob Marley: A Biography, Greenwood Publishing Group, ISBN 978-0313338793
  • Thompson, Dave (2002), Reggae & Caribbean area Music, Backbeat Books, ISBN 0-87930-655-6
  • White, Timothy (2006), Catch a Burn: The Life of Bob Marley, Henry Holt, ISBN 9780805080865

External links [edit]

  • Catch a Burn down (Adobe Flash) at Spotify (streamed copy where licensed)

leskotetly1995.blogspot.com

Source: https://en.wikipedia.org/wiki/Catch_a_Fire

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